47 34'10.97" N 52 42'08.12" Wyay!
Tuesday, January 30, 2007
My house
Ok, for a lack of anything else to put on this site at the moment here are the coordinates to my apartment at 19 York St. in downtown St. John's that can be copied and pasted into Google Earth if you got it:
47 34'10.97" N 52 42'08.12" W
yay!
47 34'10.97" N 52 42'08.12" Wyay!
Tuesday, January 23, 2007
PreDem and Sound on Earth Canvass
(click on the song titles on the right side of this web page to hear them)
Here's a bit of info:
PreDem is the temporary name I have given to an imaginary album that I will use as a demo to eventually become a real, professionally recorded CD. I recorded this myself in December 2006 in various spaces. Except for Beekeepers in Black, which is a newer better version of the one that I recorded for Sound on Earth, all the songs were written in 2006. Any of these songs are subject to change and become rerecorded (by me) because I can play some of them better since the time they were recorded.
I am hoping that the finished product will become an audio environment in which there is land upon which to anchor oneself and and atmosphere in which to breathe so that the ears feel at home when listening to it. That may never make sense, but we'll see.
Sound on Earth (SOE) differs from PreDem in that it was recorded in 2005 and it is a more solid entity. It is "finished" and so won't change. It is what it is. More importantly, it represents my thought patterns with respect to the way I wrote and performed those songs that December (2005). I think all those songs were written and/or arranged between 2004 and 2005. Postmodern Bluegrass, which I haven't included on this site, goes back even further.
SOE builds on its strengths.
PreDem builds again on the strengths of SOE. And is the closest representation to where I am right now, musically. The recording of "Alzheimer's Repeat" on SOE (written in 2004) is a good example of the direction I branched off in. It has one of those sonic components that simulate the act of free-falling, which occur more frequently in PreDem. However, I took it even further when I wrote "Seamount", which is a mysterious underwater song about one of the most ecologically sensitive and equally as threatened areas on the planet. It required a more focussed variation on technique to perform. "Seamount" actually is musically inspired by "Intro de la Nina" from SOE, but thematically inspired by something completely different. "Intro" by the way was a rewritten version of the song "La Nina" on Postmodern Bluegrass from 2004 (or earlier?).
I should point out that PreDem has an anomaly as well. I primarily play and write with a 12-string guitar, but the song "York Street Village" was written and performed on a six-string guitar I rescued from an empty, freezing apartment on Golf Avenue early 2006. The guitar was mistreated and abused to the point where it was unplayable and abandoned by the time I found it. I put it in intensive care and healed it. "York Street Village" was what eventually came out of it and represents a more classical approach to playing. I have no classical training, but I am always open to changing my style once in a while. The song "Anticipate: Relief" on PreDem was also written in this way in the summer of 2006, and represents the more open approach I took to developing the new material. The song "We Make Ways", which I wrote about a month ago takes another turn as I decided to vary my style again. I may rerecord this one because I can play it much better now ;)
The same goes for "York Street Village", although I'm very proud of the part I added near the 2 minute mark where the entire structure of the song melts down like the T-1000 in Terminator 2 and then snaps back into its position in time to recover completely on cue.
Anyway, to sum up: PreDem and what will become of it is essentially an audioscape that acceptingly takes many new forms, while I continuously create it.
Before I bequeath the critical examination of my music, I should point out (because most people ask), the recordings here are only one track each. It's just me playing a 12-string guitar. This is what I sound like live in person, no overdubs. I recorded with a minidisc player and a condenser mic. I didn't spend much time with the frequency equalisation, so if the volume is turned up too loud you may experience clipping from your speakers or headphones. That's more my fault than anything. But these tracks are not meant to be perfect. I won't get into the ongoing incompatible software drama I go through on a regular basis trying to get audio files into MP3's either. Maybe another time.
As a last note to this long posting, if anyone notices any flaws on this site, let me know so I can fix it.
Here's a bit of info:
PreDem is the temporary name I have given to an imaginary album that I will use as a demo to eventually become a real, professionally recorded CD. I recorded this myself in December 2006 in various spaces. Except for Beekeepers in Black, which is a newer better version of the one that I recorded for Sound on Earth, all the songs were written in 2006. Any of these songs are subject to change and become rerecorded (by me) because I can play some of them better since the time they were recorded.
I am hoping that the finished product will become an audio environment in which there is land upon which to anchor oneself and and atmosphere in which to breathe so that the ears feel at home when listening to it. That may never make sense, but we'll see.
Sound on Earth (SOE) differs from PreDem in that it was recorded in 2005 and it is a more solid entity. It is "finished" and so won't change. It is what it is. More importantly, it represents my thought patterns with respect to the way I wrote and performed those songs that December (2005). I think all those songs were written and/or arranged between 2004 and 2005. Postmodern Bluegrass, which I haven't included on this site, goes back even further.
SOE builds on its strengths.
PreDem builds again on the strengths of SOE. And is the closest representation to where I am right now, musically. The recording of "Alzheimer's Repeat" on SOE (written in 2004) is a good example of the direction I branched off in. It has one of those sonic components that simulate the act of free-falling, which occur more frequently in PreDem. However, I took it even further when I wrote "Seamount", which is a mysterious underwater song about one of the most ecologically sensitive and equally as threatened areas on the planet. It required a more focussed variation on technique to perform. "Seamount" actually is musically inspired by "Intro de la Nina" from SOE, but thematically inspired by something completely different. "Intro" by the way was a rewritten version of the song "La Nina" on Postmodern Bluegrass from 2004 (or earlier?).
I should point out that PreDem has an anomaly as well. I primarily play and write with a 12-string guitar, but the song "York Street Village" was written and performed on a six-string guitar I rescued from an empty, freezing apartment on Golf Avenue early 2006. The guitar was mistreated and abused to the point where it was unplayable and abandoned by the time I found it. I put it in intensive care and healed it. "York Street Village" was what eventually came out of it and represents a more classical approach to playing. I have no classical training, but I am always open to changing my style once in a while. The song "Anticipate: Relief" on PreDem was also written in this way in the summer of 2006, and represents the more open approach I took to developing the new material. The song "We Make Ways", which I wrote about a month ago takes another turn as I decided to vary my style again. I may rerecord this one because I can play it much better now ;)
The same goes for "York Street Village", although I'm very proud of the part I added near the 2 minute mark where the entire structure of the song melts down like the T-1000 in Terminator 2 and then snaps back into its position in time to recover completely on cue.
Anyway, to sum up: PreDem and what will become of it is essentially an audioscape that acceptingly takes many new forms, while I continuously create it.
Before I bequeath the critical examination of my music, I should point out (because most people ask), the recordings here are only one track each. It's just me playing a 12-string guitar. This is what I sound like live in person, no overdubs. I recorded with a minidisc player and a condenser mic. I didn't spend much time with the frequency equalisation, so if the volume is turned up too loud you may experience clipping from your speakers or headphones. That's more my fault than anything. But these tracks are not meant to be perfect. I won't get into the ongoing incompatible software drama I go through on a regular basis trying to get audio files into MP3's either. Maybe another time.
As a last note to this long posting, if anyone notices any flaws on this site, let me know so I can fix it.
Thought I would add the Sound On Earth cd art and liner notes for those who have never seen it. Unfortunately, I seem to have lost the Post Modern Bluegrass JPEG, but I haven't included those songs on this site anyway. There is no art for PreDem because, well, PreDem is but an imagined entity right now. When it becomes something real, it will not only have original artwork, it will also have a real name.
Monday, January 22, 2007
Commence: Dan's Blag
Ok, I've got the technicalities figured out thanks to the help of my good buddy Dave, who happens to not only know computer programming, but exactly the type of programming I need for the purposes of this website. This freeeee freeee freeeee website. I'll explain:
There was actually very little coding involved compared to the advice I received in order to create this site the way I wanted it. A person by the name of Philip Clark, who also creates very unique music under the name of A/V, happens to have a large hard drive which he is generously offering to share with other musicians and bands in exchange for a hard copy of the posted music.
His website is:
http://evilmp3.com/
Anyway, I have stored my music on his hard drive (I think that's how that works) and now anyone (you reading) can access them whenever you want. Just click on the song titles on the side and poof. If you have Quick Time already installed, the songs will play right away. If you don't then you will have to download them in order to listen to them on your media player. Right-clicking the links will also give you an option to download them if you want to.
If you download them, share them etc if you want or not whatever, but be nice about it if you know what I mean. I wouldn't mind that if you download the songs and decide to keep them or share them, send me an email or leave a comment on this site just for my own tracking purposes. It's nice to know who is listening and doing what with the files. Of course, nothing compares to a good hard compact disc anyway :P
So that's that. Thanks to Philip I have a means of storing these MP3's to be shared, and thanks to Dave I was able to create this blog the way it is. I plan on posting other various things for your interest (pictures, links, articles, etc) in the near future. You'll just have to check back every now and again to see what they are.
There was actually very little coding involved compared to the advice I received in order to create this site the way I wanted it. A person by the name of Philip Clark, who also creates very unique music under the name of A/V, happens to have a large hard drive which he is generously offering to share with other musicians and bands in exchange for a hard copy of the posted music.
His website is:
http://evilmp3.com/
Anyway, I have stored my music on his hard drive (I think that's how that works) and now anyone (you reading) can access them whenever you want. Just click on the song titles on the side and poof. If you have Quick Time already installed, the songs will play right away. If you don't then you will have to download them in order to listen to them on your media player. Right-clicking the links will also give you an option to download them if you want to.
If you download them, share them etc if you want or not whatever, but be nice about it if you know what I mean. I wouldn't mind that if you download the songs and decide to keep them or share them, send me an email or leave a comment on this site just for my own tracking purposes. It's nice to know who is listening and doing what with the files. Of course, nothing compares to a good hard compact disc anyway :P
So that's that. Thanks to Philip I have a means of storing these MP3's to be shared, and thanks to Dave I was able to create this blog the way it is. I plan on posting other various things for your interest (pictures, links, articles, etc) in the near future. You'll just have to check back every now and again to see what they are.
Wednesday, January 17, 2007
I can do internet
I can't believe I'm on the internet. How did I ever do that by myself. Anyway, I don't know how all this will work yet, but a primary function of this site is to give free access to songs I've written and recorded. I might do all the personal stuff too, and mix work and play (environment and music), and vice versa, who knows, I might go completely off the wall yet, even post regularly - I'm not sure. But for now, when everything is all set up and I get some technical help you people reading this will be able to link to my music and listen to it. Even download it perhaps. But I dunno yet. All I know is this is easy so far, even for me - Computer Imbecile. I don't know how to do any interior decorating yet but the picture above is me and the picture below this text is the birthplace of "Sound On Earth", 43 Queen's Road, St. John's, an apartment I lived in about a year ago. I now live in 19 York St. after vacating 71 Cochrane St. I enjoy moving up and down the street. "Sound On Earth" is my first good sounding DIY (dooityerslf) demo. "Post Modern Bluegrass" is my first and second (tape then alternate takes cd) not so good sounding DIY demo. Who knows where this website will go from here. I'm some glad its free. 
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